The New York Times | July 27 2012

LONDON — With its hilariously quirky Olympic opening ceremony, a wild jumble of the celebratory and the fanciful; the conventional and the eccentric; and the frankly off-the-wall, Britain presented itself to the world Friday night as something it has often struggled to express even to itself: a nation secure in its own post-empire identity, whatever that actually is.

The noisy, busy, witty, dizzying production somehow managed to feature a flock of sheep (plus a busy sheepdog), the Sex Pistols, Lord Voldemort, the engineer Isambard Kingdom Brunel, a suggestion that the Olympic rings were forged by British foundries during the Industrial Revolution, the seminal Partridge Family reference from “Four Weddings and a Funeral,” a group of people dressed like so many members of Sgt. Pepper’s band, some rustic hovels tended by rustic peasants, “(I Can’t Get No) Satisfaction” and, in a paean to the National Health Service, a zany bunch of dancing nurses and bouncing sick children on huge hospital beds.

It was neither a nostalgic sweep through the past nor a bold vision of a brave new future. Rather, it was a sometimes slightly insane portrait of a country that has changed almost beyond measure since the last time it hosted the Games, in the grim postwar summer of 1948.

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