Mozart Magic

Mozart tipped his hat regarding his involvement in esoteric circles that were rediscovering ancient secrets of music. When Mozart produced the opera, “The Magic Flute, he concealed emblematic messages of the Masonic
(Hermetic) ideology beneath an innocent fable so that the messages would endure and be rediscovered in better times.” [3]
Mozart’s piano sonatas show the imprint of the golden ratio (found so abundantly in nature). For example, in the Sonata No. 1 in C Major, there are 62 measures in the Development and Recapitulation and 38 in the Exposition, all within the first movement. The ratio of 62/38 is 1.63, close to the golden ratio. He used the golden ratio formed from intervals, but also from segments of time.
In the Baroque period music had sharply defined loud and soft sections. One verse was loud and the second verse echoed with a soft reply. There were no gradual changes in volume. During the Classical period the practice of a
steady volume for one musical section was abandoned. Crescendos, the gradual increase in volume became popular, producing a gentler way to change volume and emotional levels.
Singers and instrumentalists created minute frequency sweeps around a note using the technique called vibrato. Pitches correspond to the elements in the periodic chart according to some scientists and sound healers. Sometimes
our body needs a nutrient that not only equates to a note, but it requires a tiny modification of it. Tiny pitch variations are comparable to isotopes. (An isotope is one of two or more forms of a chemical element with the same
atomic number but different numbers of neutrons, creating a slightly different atomic mass.) Sharry Edwards helped a person was not be able to ingest standard calcium and therefore deposited calcium (arthritis) in his body, but he could ingest an isotope of calcium. Vibrato and musical glissandos create frequencies corresponding to an element with various isotopes, allowing us to ingest minute frequency variations.
[1] Wolfgang Amadeus Mozart, a German composer, lived from 1756 to 1791. He was an influential composer of the Classical era. He composed over 600 works.
[2] Maman, Fabien. The Role of Music in the Twenty-First Century, Tamo-Do Press: Boulder, Colorado, 1997, Pg. 41.
[3] Frers, Ernesto. Secret Societies and the Hermetic Code, Destiny Books/ Inner Traditions: Vermont, 2005, Pg.160.
SF Source Jill Mattson Feb 2026