
The work depicts, as I grasp it, a shining techno-industrial mobile-phone tower pinnacling out of the summit of a vast concrete temple flanked by two grand curving stairways, at the bottom of which is a platform covered with a great crowd of people. Above the tower wispy chemtrails have formed an X in the sky, while the bottom quarter of the artwork is dominated by a voluminous sea of red dotted with flecks of black. Continue reading